Kick Self-oscillating Thwack
Both of these patches reproduces the kick you get on a typical dual-envelope fixed architecture monosynth.
Step-by-Step Guide
Self-Oscillating Filter: Set your filter to self-oscillate by turning Q all the way up.
Short Envelope for Filter (ENV A): Use a short envelope to modulate the filter cutoff. This envelope simulates the batter head of a kick drum, providing the initial punch and attack of the sound.
Longer Envelope for VCA (ENV A): Use a longer envelope to control the VCA. This envelope simulates the resonant head of a kick drum, contributing to the decay and body of the sound.
Variations
Low-Pass Filter (LP1 & 2): Try using the LP1 and 2 filter modes for a crunchier, more saturated sound. This can add more harmonic content and grit to the kick.
Soft Clipping: Toggle soft clipping on and off to hear the difference. Soft clipping can add warmth and subtle distortion.