Kick Self-oscillating 2

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This patch starts from ‘Self-oscillating 808 Kick 1’ and adds a sine wave from VCO-A.

  1. Self-Oscillating Filter: Start by setting your filter Q all the way up. The filter will self-oscillate. This generates a pure sine wave, which serves as the fundamental tone of your kick drum.

  2. Single Envelope: Use a single envelope generator to shape the amplitude and the filter cutoff. This envelope will control both the filter frequency and the VCA, creating the characteristic punch and decay of the kick drum.

Sound Variations

Experiment with the following settings:

  • Low-Pass Filter (LP1 & 2): Try using the LP1 and 2 filter modes for a crunchier, more saturated sound. This can add more harmonic content and grit to the kick.

  • Soft Clipping: Toggle soft clipping on and off to hear the difference. Soft clipping can add warmth and subtle distortion.

  • VCO-A Octave: Try different octave settings.

Additional Tips

  • Envelope Settings: Set attack to 0. Fine-tune the decay, and release settings of your envelope to shape the kick's transient and tail. A fast attack and moderate decay will typically produce a tight, punchy kick.

  • Filter Modulation: Experiment with different modulation sources for the filter cutoff to add movement and variation to the sound. This can create a more dynamic and interesting kick drum.

  • Additional Waveforms: Try mixing in the sub-oscillator and other waveforms.

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Kick Bass Pinged LP

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Kick 808 1