Self-oscillating 808 Kick 1
This patch reproduces the 808 kick you get on single-envelope fixed architecture monosynths. The real 808 uses a pinged filter to create its iconic kick drum sound. In contrast, the 808 kick you get on single-envelope monosynths is achieved through a different method. They use a self-oscillating filter with a single envelope that controls both the filter and the VCA.
Creating the 808 Kick on a fixed architecture Monosynth
Follow these steps:
Self-Oscillating Filter: Start by setting your filter Q all the way up. The filter will self-oscillate. This generates a pure sine wave, which serves as the fundamental tone of your kick drum.
Single Envelope: Use a single envelope generator to shape the amplitude and the filter cutoff. This envelope will control both the filter frequency and the VCA, creating the characteristic punch and decay of the kick drum.
Sound Variations
Experiment with the following settings:
Low-Pass Filter (LP1 & 2): Try using the LP1 and 2 filter modes for a crunchier, more saturated sound. This can add more harmonic content and grit to the kick.
Soft Clipping: Toggle soft clipping on and off to hear the difference. Soft clipping can add warmth and subtle distortion.
Additional Tips
Envelope Settings: Set attack to 0. Fine-tune the decay, and release settings of your envelope to shape the kick's transient and tail. A fast attack and moderate decay will typically produce a tight, punchy kick.
Filter Modulation: Experiment with different modulation sources for the filter cutoff to add movement and variation to the sound. This can create a more dynamic and interesting kick drum.
Additional Waveforms: Try mixing in the sub-oscillator and other waveforms.
Experiment with various settings, you can create a wide range of 808-style kick drum sounds.