Bass and Clap / Snare
A single patch for both bass drum and clap or snare.
Using a single VCA makes it more snare-like than clap-like. If the wave folder isn’t being shaped by VCA-A, then you can make it more clap-like. To do this, patch the noise directly to the filter, then mix the wave folder and VCA-A in the mixer. And patch the mixer to Main 1.
For the Clap:
1: Set Cascadia to dual mono mode, and setup your sequencer to send triggers on different channels.
2: Patch MIDI MOD to EXT Gate in. This will send the trigger from MIDI Voice 2 to ENV-A and B.
3: Send white noise into the filter.
4: Set the filter to bandpass 2 or 4. The bandpass filter in the 808 is set to 1,000 Hz / B5 +21¢. Use that as a starting point, then tune to taste.
Raise Q to accentuate the high frequencies and give the whole sound more punch.
The filtered noise is then sent to VCA-A and the wave folder in parallel paths.
5a: Patch the VCF to the wave folder in.
5b: Patch ENV-B to the wave folder MOD in. Set Wave folder Mod level higher for a more clap like effect. Set it lower for a more snare like sound.
For the Bass:
1: Create an envelope by sending the trigger to the slew limiter, and setting it to slew only on the decay. Then patch the slew to the LPF CV in.
2: Tune VCO-B to A1, and set it to '‘Pitch B’ to prevent MIDI from changing the note.
3: Patch VCO-B sine to LPF in.
4: Patch LPF to main out 2. If you want to process the signals separately, send is to the FX out.